How many special people change? How many lives are living strange? Where were you while we were getting high? Slowly walking down the hall Faster than a cannonball Where were you while we were getting high? Someday you will find me Caught beneath the landslide In a champagne supernova in the sky Someday you will find me Caught beneath the landslide In a champagne supernova A champagne supernova in the sky Wake up the dawn and ask her why A dreamer dreams, she never dies Wipe that tear away now from your eye Slowly walking down the hall Faster than a cannonball Where were you while we were getting high?
Thank you for your correspondence regarding the "South Park" episodes entitled "Cartoon Wars." We appreciate your concerns about censorship and the destructive influence of outside groups on the media, entertainment industry and particularly Comedy Central.
To reiterate, as satirists, we believe that it is our First Amendment right to poke fun at any and all people, groups, organizations and religions and we will continue to defend that right. Our goal is to make people laugh and perhaps, if we're lucky, even make them think in the process.
Comedy Central's belief in the First Amendment has not wavered, despite our decision not to air an image of Muhammad. Our decision was made not to mute the voices of Trey and Matt or because we value one religion over any other. This decision was based solely on concern for public safety in light of recent world events.
With the power of freedom of speech and expression also comes the obligation to use that power in a responsible way. Much as we wish it weren't the case, times have changed and, as witnessed by the intense and deadly reaction to the publication of the Danish cartoons, decisions cannot be made in a vacuum without considering what impact they may have on innocent individuals around the globe.
It was with this in mind we decided not to air the image of Muhammad, a decision similar to that made by virtually every single media outlet across the country earlier this year when they each determined that it was not prudent or in the interest of safety to reproduce the controversial Danish cartoons. Injuries occurred and lives were lost in the riots set off by the original publication of these cartoons. The American media made a decision then, as we did now, not to put the safety and well being of the public at risk, here or abroad.
As a viewer of "South Park," you know that over the course of ten seasons and almost 150 episodes the series has addressed all types of sensitive, hot-button issues, religious and political, and has done so with Comedy Central's full support in every instance, including this one. "Cartoon Wars" contained a very important message, one that Trey and Matt felt strongly about, as did we at the network, which is why we gave them carte blanche in every facet but one: we would not broadcast a portrayal of Muhammad.
In that regard, did we censor the show? Yes, we did. But if you hold Comedy Central's 15-year track record up against any other network out there, you'll find that we afford our talent the most creative freedom and provide a nurturing atmosphere that challenges them to be bold and daring and places them in a position to constantly break barriers and push the envelope. The result has been some of the most provocative television ever produced.
We would like nothing more than to be able to look back at this in a few years and think that perhaps we overreacted. Unfortunately, to have made a different decision and to look back and see that we completely underestimated the damage that resulted was a risk we were not willing to take.
Our pledge to you, our loyal viewers, is that Comedy Central will continue to produce and provide the best comedy available and we will continue to push it right to the edge, using and defending the First Amendment in the most responsible way we know how.
Doll Parts by Hole is currently the soundtrack to my mood. isn't courtney love deceptively fragile.
I've made several realisations over the last few weeks. And increasingly i feel as though my place in the world is increasingly pointless, but then, we all live pointless lives. I'll probably be seen as a depressed emo kid for stating that point, but fuck it. At least I feel.
I'm currently swept up in Bill Hick's view of the world, and ideas for peace and evoloution of mankind. I'm currently suspended in that 90's-ish alt indie music movement. Pavement's 'Terror Twilight' providing enough interest and slant on a dead genre. I dare say that Neutral Milk Hotel would make me feel worse.
Everything is a constant reminder of the way things used to be, and although non-specific, a part of me longs for the way things used to be. Maybe a part of me wants to be nostalgic, its easier to be nostalgic than content.
Perhaps I've chosen to be this way. Perhaps I've isolated myself through my choices. Perhaps its all my fault.
People don't take enough responsibilities these days. I guess it politically incorrect to blame yourself for something. I'll take my share on the chin.
I've become everything i wanted, and yet, what i wanted wasn't happiness. Or so it seems.
"what use is economic growth when the seas are rising to engulf you?" exactly.
I want to clear my head, and my heart. The mistakes i've made this year (inclusive of the last) have like cold wind bitten me to the bone. My bones feel weak and bruised, i want desperatley to escape, but the soloution temptation provides is only temporary.
remember that band placebo, not the one that one post a greatest hits album, but the band that had integrity, yeah well one lyric cuts through the dull static within my mind.
The past will catch you up as you run faster. (dont correct me if thats not exactly right)
there is no point in what i am saying. and i have no idea how this might be read. dont feel sorry for me. dont feel sympathy or empathy. be yourself, and i will too.
so just when things looked bad for me, just when i was about to give up hope, i get a call saying please attend an interview at noon on wednesday.
and so i went to the interview, and i aced it.
i know im not guaranteed the job, but hopefully i will get it. if i get it, im not gonna go home at all, i'll stay here in portsmouth. if i get the job, i have induction on friday, and i can start work on saturday, sunday, or monday.
since obtaining a job has become such a difficult task, and ive exhausted every possible route to getting a job, im thinking about going home for two months returning to work at tesco, where i can work 40hours a week at a good wage, moving into 33CR when Kat moves out. and returning to Portsmouth (properly) towards the end of June. By which time i will have 3 months worth of full time wages to live on. There are also a lot more jobs in portsmouth in the summer, so i'd be more productive looking for jobs then.
01. Superman - Goldfinger 02. It Beats 4 U - My Morning Jacket 03. Major Leagues - Pavement 04. There There - Radiohead 05. Do You Feel The Same - Silverchair 06. Welcome Home (Sanitarium) - Metallica 07. Voodoo Chile (slight return) - Jimi Hendrix 08. Lagrimas De Oro - Manu Chao 09. Freedom of Choice - A Perfect Circle
on a side note im also listening to the recently leaked (new) Flaming Lips Album. On first listen it doesn't seem as good as Soft Bulletin or Yoshimi...
if you're interested here's a song i've been working on for a while. i'm hoping it can be future Breadthings material. See what you think. Lacks drums and bass, wiht bass part being played on guitar. sorry about the timing i was playing without metranome. also two wrong notes.
ONLY first few people to click the link below will be able to download. only nice comments, criticism is not wanted since its only a very early version of the song, and is still rather incomplete.